ablayiliasov:

David Hockney

France

1937

(via choes)

jp-squared:

Amy Sillman

A Shape that Stands Up and Listens #2

2012

ink guache, pencil, chalk, charcoal on paper

30 x 22 inches

(via weissesrauschen)

Andrew Jacobs

Ayako Mogi
Ayako Mogi

Ayako Mogi

really-shit:

French photographer Antoine Bruy spent three years (2010 - 2013) aimlessly hitchhiking around remote European regions documenting the affairs and lifestyle of former city dwellers turned off-grid families. Antoine offered labor (helping raise livestock, tending to farmlands) in return for housing and an intimate, more in-depth understanding of this largely undocumented subsociety.
really-shit:

French photographer Antoine Bruy spent three years (2010 - 2013) aimlessly hitchhiking around remote European regions documenting the affairs and lifestyle of former city dwellers turned off-grid families. Antoine offered labor (helping raise livestock, tending to farmlands) in return for housing and an intimate, more in-depth understanding of this largely undocumented subsociety.
really-shit:

French photographer Antoine Bruy spent three years (2010 - 2013) aimlessly hitchhiking around remote European regions documenting the affairs and lifestyle of former city dwellers turned off-grid families. Antoine offered labor (helping raise livestock, tending to farmlands) in return for housing and an intimate, more in-depth understanding of this largely undocumented subsociety.
really-shit:

French photographer Antoine Bruy spent three years (2010 - 2013) aimlessly hitchhiking around remote European regions documenting the affairs and lifestyle of former city dwellers turned off-grid families. Antoine offered labor (helping raise livestock, tending to farmlands) in return for housing and an intimate, more in-depth understanding of this largely undocumented subsociety.
really-shit:

French photographer Antoine Bruy spent three years (2010 - 2013) aimlessly hitchhiking around remote European regions documenting the affairs and lifestyle of former city dwellers turned off-grid families. Antoine offered labor (helping raise livestock, tending to farmlands) in return for housing and an intimate, more in-depth understanding of this largely undocumented subsociety.
really-shit:

French photographer Antoine Bruy spent three years (2010 - 2013) aimlessly hitchhiking around remote European regions documenting the affairs and lifestyle of former city dwellers turned off-grid families. Antoine offered labor (helping raise livestock, tending to farmlands) in return for housing and an intimate, more in-depth understanding of this largely undocumented subsociety.
really-shit:

French photographer Antoine Bruy spent three years (2010 - 2013) aimlessly hitchhiking around remote European regions documenting the affairs and lifestyle of former city dwellers turned off-grid families. Antoine offered labor (helping raise livestock, tending to farmlands) in return for housing and an intimate, more in-depth understanding of this largely undocumented subsociety.
really-shit:

French photographer Antoine Bruy spent three years (2010 - 2013) aimlessly hitchhiking around remote European regions documenting the affairs and lifestyle of former city dwellers turned off-grid families. Antoine offered labor (helping raise livestock, tending to farmlands) in return for housing and an intimate, more in-depth understanding of this largely undocumented subsociety.
really-shit:

French photographer Antoine Bruy spent three years (2010 - 2013) aimlessly hitchhiking around remote European regions documenting the affairs and lifestyle of former city dwellers turned off-grid families. Antoine offered labor (helping raise livestock, tending to farmlands) in return for housing and an intimate, more in-depth understanding of this largely undocumented subsociety.

really-shit:

French photographer Antoine Bruy spent three years (2010 - 2013) aimlessly hitchhiking around remote European regions documenting the affairs and lifestyle of former city dwellers turned off-grid families. Antoine offered labor (helping raise livestock, tending to farmlands) in return for housing and an intimate, more in-depth understanding of this largely undocumented subsociety.

(via dysontree)

sidblack:

Oxford, 2014

A few new photos on my photo diary (finally) with many more to come.

John Gossage

John Gossage

Matthieu Raffard - Archipel
Matthieu Raffard - Archipel
Matthieu Raffard - Archipel

Matthieu Raffard - Archipel

oddpears:

Helsinki-born photographer Osma Harvilahti is absolutely killing it with his studies in colour, composition and visual abstraction. His images are aestheticised so far to the point that reality takes on an almost sculptural feel.
Osma’s photographs seem familiar, almost as though we have already seen or have taken mental screen shots of these images of every day life - clutter in a lounge room, clothes on a washing line, a plate of fruit. It’s this perfect balance between aesthetic and reality that he has found an almost comforting place for the viewer. 
Enjoy more of Osma’s work on his Tumblr and Instagram.
oddpears:

Helsinki-born photographer Osma Harvilahti is absolutely killing it with his studies in colour, composition and visual abstraction. His images are aestheticised so far to the point that reality takes on an almost sculptural feel.
Osma’s photographs seem familiar, almost as though we have already seen or have taken mental screen shots of these images of every day life - clutter in a lounge room, clothes on a washing line, a plate of fruit. It’s this perfect balance between aesthetic and reality that he has found an almost comforting place for the viewer. 
Enjoy more of Osma’s work on his Tumblr and Instagram.
oddpears:

Helsinki-born photographer Osma Harvilahti is absolutely killing it with his studies in colour, composition and visual abstraction. His images are aestheticised so far to the point that reality takes on an almost sculptural feel.
Osma’s photographs seem familiar, almost as though we have already seen or have taken mental screen shots of these images of every day life - clutter in a lounge room, clothes on a washing line, a plate of fruit. It’s this perfect balance between aesthetic and reality that he has found an almost comforting place for the viewer. 
Enjoy more of Osma’s work on his Tumblr and Instagram.
oddpears:

Helsinki-born photographer Osma Harvilahti is absolutely killing it with his studies in colour, composition and visual abstraction. His images are aestheticised so far to the point that reality takes on an almost sculptural feel.
Osma’s photographs seem familiar, almost as though we have already seen or have taken mental screen shots of these images of every day life - clutter in a lounge room, clothes on a washing line, a plate of fruit. It’s this perfect balance between aesthetic and reality that he has found an almost comforting place for the viewer. 
Enjoy more of Osma’s work on his Tumblr and Instagram.
oddpears:

Helsinki-born photographer Osma Harvilahti is absolutely killing it with his studies in colour, composition and visual abstraction. His images are aestheticised so far to the point that reality takes on an almost sculptural feel.
Osma’s photographs seem familiar, almost as though we have already seen or have taken mental screen shots of these images of every day life - clutter in a lounge room, clothes on a washing line, a plate of fruit. It’s this perfect balance between aesthetic and reality that he has found an almost comforting place for the viewer. 
Enjoy more of Osma’s work on his Tumblr and Instagram.
oddpears:

Helsinki-born photographer Osma Harvilahti is absolutely killing it with his studies in colour, composition and visual abstraction. His images are aestheticised so far to the point that reality takes on an almost sculptural feel.
Osma’s photographs seem familiar, almost as though we have already seen or have taken mental screen shots of these images of every day life - clutter in a lounge room, clothes on a washing line, a plate of fruit. It’s this perfect balance between aesthetic and reality that he has found an almost comforting place for the viewer. 
Enjoy more of Osma’s work on his Tumblr and Instagram.
oddpears:

Helsinki-born photographer Osma Harvilahti is absolutely killing it with his studies in colour, composition and visual abstraction. His images are aestheticised so far to the point that reality takes on an almost sculptural feel.
Osma’s photographs seem familiar, almost as though we have already seen or have taken mental screen shots of these images of every day life - clutter in a lounge room, clothes on a washing line, a plate of fruit. It’s this perfect balance between aesthetic and reality that he has found an almost comforting place for the viewer. 
Enjoy more of Osma’s work on his Tumblr and Instagram.
oddpears:

Helsinki-born photographer Osma Harvilahti is absolutely killing it with his studies in colour, composition and visual abstraction. His images are aestheticised so far to the point that reality takes on an almost sculptural feel.
Osma’s photographs seem familiar, almost as though we have already seen or have taken mental screen shots of these images of every day life - clutter in a lounge room, clothes on a washing line, a plate of fruit. It’s this perfect balance between aesthetic and reality that he has found an almost comforting place for the viewer. 
Enjoy more of Osma’s work on his Tumblr and Instagram.

oddpears:

Helsinki-born photographer Osma Harvilahti is absolutely killing it with his studies in colour, composition and visual abstraction. His images are aestheticised so far to the point that reality takes on an almost sculptural feel.

Osma’s photographs seem familiar, almost as though we have already seen or have taken mental screen shots of these images of every day life - clutter in a lounge room, clothes on a washing line, a plate of fruit. It’s this perfect balance between aesthetic and reality that he has found an almost comforting place for the viewer. 

Enjoy more of Osma’s work on his Tumblr and Instagram.

(via nickelcobalt)

Running on The Default Network
by Boyce